Giselle - A Chronicle Of Forgiveness, Love And Tragedy
Giselle is to ballet what Hamlet is to the theatre. Historically important in its own right, audiences flock to it so they may see it interpreted afresh by a new corps of ballerinas. Enthusiasts swear that every time they go, they always see something that they had missed on previous occasions.
A love triangle with some unusual twists, the ballet tells the story of a peasant girl who dies of a broken heart when she learns that the nobleman with whom she has fallen hopelessly in love is engaged to another woman. A gamekeeper, who has fallen in love with the peasant girl, is seen weeping at her grave when he is startled by a band of spirits of young women who had died before their wedding days. The bitter spirits rise from their graves to torture men to their deaths.
The customary method of torture used by the Wilis, as the spirits were known, was to attract young men and force them to dance until they died. In the case of the gamekeeper, they chase him and then hurl him to his death in a lake. When they turn their attention to the cheating nobleman, the spirit of the peasant girl protects him from their evil magic until day breaks, when they return to their graves. Her two-timing lover is forgiven and Giselle returns to her grave to rest in peace.
First presented in Paris at Salle le Peletier in June 1841, it appeared in London at Her Majesty's Theatre in March 1842. It went on to be presented in Russia, Italy and the United States. It is now a film in 3D.
The role demands technical precision, dramatic acting skill as well as outstanding grace. For this reason, it is one of the most coveted roles in ballet. It was created for Carlotta Grisi by dramatist Theophile Gautier. It has been played by many other accomplished ballerinas including Anna Pavlova, Alicia Markova and Svetlana Zakharova.
Gautier was inspired by the story of the Wilis, which was written by poet and novelist Heinrich Heine. Gautier pictured it in his mind as a ballet. He worked with the composer, Adolphe Adam and choreographer, Jules Perot.
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